My 59' Les Paul Replica Build

In my spare time, I like to dabble in the art of building guitars, with years of expreience I decided to build a replica guitar, and post it here to see what you think, please take the time to comment your thoughts.

Many Thanks, Anthony.

Edit: I managed to find some build photos, which will be displayed below, unfortunately there is hardly any as, at the time, I did not take many photos at all.

Quilted Sapele Once in a lifetime find

Recently I was lucky to come across a once in a lifetime find. many years again when I was a partner in Ryder basses our workshop was next door to a general Joinery workshop. Allan the owner had a job that required making hardwood handrails that were suitable for painting. As is quite customary in the UK Sapele is quite commonly used in this setting. Heaven knows why as it really is more than just another mahogany substitute. It really can be quite beautiful and very suitable as a luthier's material if one can get through the images in one's mind of bland ribbon striped veneered 1970's doors. Several manufacturers are regularly using it as neck material now genuine mahogany gets rarer and now elevated well on the CITES list. Its certainly capable as a replacement wood with good colour. Any ways Allan receives his Sapele from a large (one of the largest in Europe)timber supplier in the UK. In the parcel of wood is a board of amazingly quilted Sapele you are ever likely to see. However on the day this was delivered, He's under pressure to get the job out so he proceeds to cut up the board to make handrail.Unfortunately neither myself or my brother are around to rescue it. Allan was aware we would be interested but was only able to rescue some small off cuts  which he gave to my brother and I. I continue to make end grafts and sound hole rosettes from this stock for my guitars. As you can imagine i recently found a quite exceptional board for sale in the North of England,quite the most beautiful board you are ever likely to see.
         
The chap who was selling the board was a cabinet maker who is setting up in business and required funds for machinery etc,. His Grand father had purchase the wood plus several other boards in the 1980's. Unfortunately the chap passed away have never used the wood, leaving it to his Grand son. This particular board is rift sawn but is quite unusual for quilted figure in that the figure shows really well. The gentleman who sold the board to me has retained a fully flat sawn piece of quilted perfection as good as any Quilted Western Red Maple I have ever seen. His intention is to make that special project when the time is right. Below is a photograph of a prepared guitar set which is reasonably accurate for colour.

My intention is to cut the remained of the wood which is figured equally as well as this set keeping obviously the majority but selling the remainder with a a price of £200.00 sterling per set to help with the costs of buying and processing the material etc. The sets are cut with a M42 blade equipped band saw to the highest standard. I can be contacted on a.ryderguitars@gmail.com and my twitter name which is @ryderguitars if you are interested. Alternatively, I can make that special guitar for you from this stock with the specification of your choice of top woods etc.

Madagascan Rosewood

For a long time now (probably since Antonio Torres' ground breaking Spanish guitars)Rio Rosewood was the pre-eminent guitar back and side wood. However over harvesting in its natural range has meant that this is no longer the case. Indeed its inclusion on the CITES list has severely curtailed its regular use pretty much on production guitars since the mid to late 1960's and East Indian rosewood being very much more readily available became its natural successor as it has the definite contribution to the tone of a guitar and has a similar dark colour to Rio Rosewood. However in terms of Spiderweb figure and sheer beauty, East Indian Rosewood is very beautiful in its own right but more sober and sombre in its figure being generally much more straight grained and uniform overall. This has seen Prices rocket for any guitar made with Rio Rosewood to stupid proportions and also iffy or downright illegal Rosewood coming to be sold as guitar sets. Indeed generally speaking a lot of guitars are being made in Rio Rosewood that at best is poor quality wood.  However a relatively new player in the Rosewood market has come to be sort after and regarded almost as highly Rio Rosewood.

                                This newer Rosewood is Madagascan Rosewood and most specifically Dalbergia Baroni to give it its Latin name. It is know also as Vambona or Voamboana. This Rosewood has the spiderweb figure seen on the best Rio Rosewood, fabulous colouration and most importantly, the tone response so similar to Rio rosewood that it is even difficult for experts to tell the difference between the two. Even since its introduction as a tonewood its cost is relatively high by comparison to Indian rosewood and this has meant it is only likely to be found on High end guitars. However, recently there have been drastic problems with over logging in Madagascar in specifically the areas that Rosewood grows as well as Madagascar ebony. There is now strict policies in place in Madagascar restricting logging and export of Rosewood and Ebony more specifically. This would appear to be driven by the Chinese high end market for Exotic timber furniture. Whilst the Chinese have a long tradition of using Zitan wood for furniture for their emperors, Zitan wood is very similar to Bois de Rose a true Rosewood that is also native to the same forest as Baroni. This now means Baroni is under the same restrictions as its close cousin Bois de Rose.

                                 I think that long term lessons need to be learnt by loggers in Madagascar to ensure that their valuable wood doesn't go the same way as Rio Rosewood. A structured planting and proper forestry management systems need to be implemented with immediate effect even if this has to be paid for by the increased cost by more expensive material costs to the end consumer. This like Indian rosewood, will ensure its long term future as well as protecting Biodiversity in Madagascar's forests. This will only come about by international and consumer pressure. If this beautiful wood is to have a secure future it must be included in the CITES list even if only in appendix 3. This will ensure monitoring is in place and assuring only suitable wood comes to market. In the mean time enjoy the the photo of one of my guitars currently being made in Madagascar rosewood. i apologize for the poor picture quality but was taken on my mobile phone in less than perfect light conditions.